Conceptul de vid in arta modernă şi contemporană / Concept of Void in Modern and Contemporary Art   
        1 Ianuarie 2018
     
    
        
          
            Cuvinte cheie:   
            
              
                
                      avangarda artistică
                
                      arta moderna
                
                      vid
                
                      spaţiu
                
                      pictură
                
                      artistic avangarde
                
                      modern art
                
                      void
                
                      space
                
                      painting
                
              
             
                     
          
         
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    Abstract  
    
    
      e Void is a fundamental notion in the tradition of milenary wisdom that dessignates Nothingness, Non-being or 
those determinations that are opposed to existence. Vacuity or the Void is a central ontological category to many 
philosophical sistems and spiritual traditions (budism, platonism, early mystical christianity, Hegel’s philosophy). 
Many physicists including Harold Aspen, Paul Dirac, Shiuji Inomata and omas Bearden have postulated the 
existance of void as a real energetic "eld. 
 is article o#ers a short description of the traditional chinese painting that was viewed as a philosophy that 
combines symbols and cosmic elements to express the soul and inner movements of creation. e void in chinese 
paintings represents the space that is not created, or the space that was not touched by ink, often depicted as 
clouds, fog, water Fig.1. 
Artists of the artistic avangard of XX century are included, such as: Kazimir Malevici, Piet Mondrian, Paul Klee, 
Mark Rothko, Yves Klein, Barnett Newman, contemporary artist Anish Kapoor, Lee Ufan. ey explored new 
ways, new regions, they found new possibilities to create and express the unseen and the space that is behind existence and sustains it.
 ese are part of the artists that have created works of art by destroing the object into art, with the purpose to 
bring closer the art to the inner truth of conscience, reaching to total abstraction the art is absorbed by the life of 
spirit that animates all creation. ey had the intuition that reality is not what is seems, and it is much more than 
we are able to perceive, it is mysterious, animated by the vital breaths1
, and so the painting becomes a microcosmos 
that mirrors the macrocosmos.